SHARE FESTIVAL Call for Artists 2023
SHARE PROJECT
is excited to announce the release of the Call for Art for the Share Prize XV, the prestigious award dedicated to contemporary art that explores the intersection wtth technology and science.
This year’s theme is:
ELABORATOR
The Heart of the Artificial Intelligence
under the Artistic Direction of Bruce Sterling
and the Curator Jasmina Tešanović
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The platform invites the artists from all around the world to submit their work for consideration.
To learn more about the Share Project and the Share Prize, visit our website and our social media platforms!
https://www.toshareproject.it/en/
Call open from 14th April 2023 to 31th May 2023
h 12.00 AM
APPLY NOW!
https://www.toshareproject.it/tshr/wp-content/uploads/2023/04/ENG_Share-prize-XV.docx.pdf
https://docs.google.com/forms/d/e/1FAIpQLSdWJR5fix2dral5FLBDlR8pO5QEzXXFNcVD7xgi5z-599vTqg/viewform
SHARE PROJECT
è lieta di annunciare l’uscita della prossima
Call for Art di Share Prize XV, il prestigioso premio dedicato all’arte contemporanea che esplora il connubio
tra tecnologia e scienza.
Il tema di quest’anno è:
ELABORATOR
The Heart of the Artificial Intelligence
sotto la direzione artistica di Bruce Sterling
e della curatrice Jasmina Tešanović
La piattaforma invita gli artisti di tutto il mondo a presentare le loro opere. Per saperne di più su Share Project e su Share Prize, visitate il nostro sito web e le nostre piattaforme social!
https://www.toshareproject.it/en/
Bando aperto dal 14 Aprile 2023 al 31 Maggio 2023
h 24.00
PARTECIPA ORA!
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Works submitted for the prize should follow the following theme:
“ELABORATOR” The Heart of the Artificial Intelligence”
Long ago, in the era before globalization, computers had national names. In France, computers were “ordinateurs.” In Spain, they were “ordenadores.” These machines put the world in order. In Germany they were “datenverarbeitungsanlage,” equipment for working with data. But in Italy, computers were “elaborati,” or machines to make the world elaborate.
The elaborators have won.
Computers no longer merely “compute” to solve our mathematical problems. We live in the consequences of their technical solutions. They are becoming self-educated neural nets, the most elaborate machines ever made.
Elaborators don’t pretend to rationality. They use probabilistic statistics. They can out-talk lawyers; they can automate painters. Given human commands of just a few words — the simplest human initiatives — they generate huge, gorgeous, baroque, and deeply untrustworthy constructions. The elaborators have all the might of modern cloud computation. The elaborators have the biggest, and the dirtiest, Big Data databases in the world. The biggest tech companies in the world are fighting each other with them.
Yesterday, computers computed, but tomorrow, elaborators will elaborate. Generators will generate, degenerate, and regenerate. How do we judge their value? How do we feel about this? Where are the sorrows and joys in it? What does it mean that computers are more polyvalent, more civilized, more politically and socially complex, more steeped in scraped-off databases of art-history — in summary, more Italian than they’ve ever been before?
It’s too early to know the truth — but we can make art works that can test the new situation. As we steadfastly declare at Share Festival, “Proviamo!” In Turin, we never passibly wait to be told what will happen: we will try it out, we will test it. In this world of elaborate uncertainty, let art lead the way the the heart of tomorrow.
Bruce Sterling, Direttore Artistico di Share Festival
Jasmina Tešanovic, Curatrice di Share Prize