{"id":5976,"date":"2025-09-11T17:22:00","date_gmt":"2025-09-11T16:22:00","guid":{"rendered":"https:\/\/toshareproject.it\/artmakerblog\/?p=5976"},"modified":"2025-09-11T17:22:00","modified_gmt":"2025-09-11T16:22:00","slug":"at-nome-gallery-in-berlin-2","status":"publish","type":"post","link":"https:\/\/toshareproject.it\/artmakerblog\/at-nome-gallery-in-berlin-2\/","title":{"rendered":"At NOME Gallery in Berlin"},"content":{"rendered":"<p>EXHIBITION N.56 <\/p>\n<p>OPENING 11 SEPTEMBER 2025, 6\u201410 PM<br \/>\n11 SEPTEMBER\u201401 NOVEMBER 2025   <\/p>\n<p>NOME<br \/>\nPOSTDAMER STR. 72<br \/>\n10785 BERLIN<\/p>\n<p>Accurate Misreadings<br \/>\nA group show with Camae Ayewa, James Bridle, Paolo Cirio, Cian Dayrit, Goldin+Senneby, Igor Grubi\u0107, Voluspa Jarpa, Kameelah Janan Rasheed, Dread Scott <\/p>\n<p>REQUEST A PREVIEW *<br \/>\nAs part of Berlin Art Week 2025, NOME is pleased to present Accurate Misreadings, an exhibition that explores the layered, often unstable relationship between text, meaning, and interpretation.<\/p>\n<p>\u201cReading is always an act of collaboration,\u201d writes Umberto Eco, reminding us that meaning does not reside in the text alone, but rather emerges from the space between what is written and what is read. Every act of reading involves ambiguity, subjectivity, and choice. In this sense, interpretation becomes a creative process, and every reading generates its own version of truth.<\/p>\n<p>Premised on the notion that language is inherently unstable, the exhibition brings together works that explore the fluidity of meaning through visual fragmentation, semantic layering, and acts of appropriation. Directing the focus toward the reader, the exhibition highlights the temporal and subjective nature of interpretation.<\/p>\n<p>Other works in the show turn to the political dimensions of language. Several artists engage with bureaucratic documents, archival records, and algorithmic codes\u2014forms of text historically used to regulate, exclude, and control. Through gestures of redaction, reconfiguration, and appropriation, these works reveal how meaning is often shaped by systems of power.<\/p>\n<p>Image credits: Kameelah Janan Rasheed, Long Division II (Annotated), 2018 &#8211; 2025. Archival inkjet print, wood, glass, marker, 79.5 x 54.5 x 3.7 cm. Photo by Marjorie B.Plaza<\/p>\n<p>And there is more!<\/p>\n<p>We are delighted to announce the launch of our new website.<\/p>\n<p>NOMEGALLERY.COM<\/p>\n<p>With a refreshed design and improved navigation, the site offers deeper insights into our artists, exhibitions, and projects. We invite you to explore and discover new content, archives, and resources online.<\/p>\n<p>NOME<\/p>\n<p>THU. SAT. 1\u20146 PM<br \/>\nPOSTDAMER STR. 72<br \/>\n10785 BERLIN<\/p>\n<p>INFO@NOMEGALLERY.COM<br \/>\nT: +49 030 92283788<\/p>\n<p>COPYRIGHT \u00a9 2024<br \/>\nALL RIGHTS RESERVED.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>EXHIBITION N.56 OPENING 11 SEPTEMBER 2025, 6\u201410 PM 11 SEPTEMBER\u201401 NOVEMBER 2025 NOME POSTDAMER STR. 72 10785 BERLIN Accurate Misreadings A group show with Camae Ayewa, James Bridle, Paolo Cirio, Cian Dayrit, Goldin+Senneby, Igor Grubi\u0107, Voluspa Jarpa, Kameelah Janan Rasheed, Dread Scott REQUEST A PREVIEW * As part of Berlin Art Week 2025, NOME is [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5976","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.0 - 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