{"id":2265,"date":"2022-06-25T17:05:06","date_gmt":"2022-06-25T16:05:06","guid":{"rendered":"https:\/\/toshareproject.it\/artmakerblog\/?p=2265"},"modified":"2022-06-25T17:05:06","modified_gmt":"2022-06-25T16:05:06","slug":"meanwhile-at-nome-gallery-4","status":"publish","type":"post","link":"https:\/\/toshareproject.it\/artmakerblog\/meanwhile-at-nome-gallery-4\/","title":{"rendered":"Meanwhile, at NOME Gallery"},"content":{"rendered":"<table class=\"mcnImageCardBlock\" border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody class=\"mcnImageCardBlockOuter\">\n<tr>\n<td class=\"mcnImageCardBlockInner\" valign=\"top\">\n<table class=\"mcnImageCardBottomContent\" border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" align=\"right\">\n<tbody>\n<tr>\n<td class=\"mcnImageCardBottomImageContent\" align=\"center\" valign=\"top\"><a class=\"\" title=\"\" href=\"https:\/\/nomegallery.us10.list-manage.com\/track\/click?u=7b43d250e13a6730bdcc27590&amp;id=ca9eeec274&amp;e=7a83925c45\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"mcnImage\" src=\"https:\/\/mcusercontent.com\/7b43d250e13a6730bdcc27590\/images\/ae259e4d-ddb5-d5db-0d07-6923e74cb4df.jpg\" alt=\"\" width=\"564\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"mcnTextContent\" valign=\"top\" width=\"546\">\n<h4 class=\"null\"><\/h4>\n<div><strong>OF DAUGHTERS AND DREAMS<br \/>\nPriscilla Dobler Dzul<br \/>\nSaturday, 25 June, 6\u20139 pm<\/strong><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"mcnTextBlock\" border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody class=\"mcnTextBlockOuter\">\n<tr>\n<td class=\"mcnTextBlockInner\" valign=\"top\">\n<table class=\"mcnTextContentContainer\" border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" align=\"left\">\n<tbody>\n<tr>\n<td class=\"mcnTextContent\" valign=\"top\">\n<div>\/ English version \/ <a href=\"\/\/7ECFF65B-8C81-45BF-BA3A-AE5074CE233C#DeutscheVersion\" target=\"_blank\" rel=\"noopener\"><u><strong>German version below<\/strong><\/u><\/a><\/p>\n<p>NOME is pleased to announce <em>Of Daughters and Dreams<\/em>, a solo exhibition by the artist Priscilla Dobler Dzul. Her paintings, sculpture, video, and performance works have addressed notions of belonging, borders, alienation, and social inequality as they relate to the history of migration and indigenous cultures. Her most recent works comprise large-scale paintings, tapestries, and glazed, painted sculptures inspired by the bold colors and forms of Mayan mythological oral stories and Alebrije folk art that represent all elements of life: air, water, earth, and fire.<\/p>\n<p>Her ebullient canvases depict expansive landscapes featuring a range of hybrid animals, human figures, and plant life. These invented worlds teem with dreamlike visions, sensual pleasures, and collisions of different life forms and genders\u2014yet many of these tableaux nonetheless bristle with an undercurrent of darkness: brutality, violence, death, and turbulent transformations. <em>Para\u00edso Perdido<\/em> depicts a paradise of sexual pleasure, boxing, and struggle for reproductive rights with the jaguar goddess overseeing it all. In <em>Jaguar Protector, sue\u00f1os demon\u00edacos<\/em>, a three-headed woman encroaches upon a reclining nude figure protected by a jaguar with a snake protruding from its mouth. Inspired by recurring dreams, the painting seeks new forms for ancestors who have had their stories, bodies, and voices erased to speak in the present and future. Her highly glazed clay sculptures introduce fantastical creatures who live between worlds\u2014between the ancient and contemporary, animal and human.<\/p>\n<p>Donna Haraway describes a trickster figure as someone \u201cthat might turn a stacked deck into a potent set of wild cards for refiguring possible worlds.&#8221; Dobler Dzul adopts the literary and mythic device of the trickster in her multi-media works to address the violence, segregation, and cultural erasure that threatens indigenous Latinx identity and knowledge. The figures that appear in her works are boundary crossers set on disrupting intersecting forms of oppression with their pleasurable, playful games.<\/p>\n<p><strong>Priscilla Dobler Dzul<\/strong> (b. 1985) lives and work in Tacoma, Washington. Her work has recently been exhibited at Project for Empty Space, Newark, NJ; A.I.R Gallery, Brooklyn, NY; Consulate of Mexico, Seattle, WA; The Northwest African American Museum, Seattle, WA; NARS Foundation, Brooklyn, NY; 125 Maiden Lane, NYC, NY; Olympic Sculpture Park, Seattle, WA; King Street Station, Seattle, WA; The Orange County Center for Contemporary Art, Santa Ana, CA and Decentered Gallery, Puebla, Mexico. Dobler Dzul was additionally a 2014 recipient of Grants for Artist Projects from the Artist Trust, 2015 Bailey Award, 2016 Edwin T. Pratt Scholarship, 2017 &amp; 2021 Tacoma Artist Initiative Program Grantee, 2021 Puffin Foundation Awardee and a Robert B McMillen Fellowship. She received her MFA in Sculpture from the State University of New York at New Paltz in 2013.<\/p>\n<p><strong>Priscilla Dobler Dzul<br \/>\n<em>Of Daughters and Dreams<\/em><br \/>\n25 June \u2013 27 July 2022<\/p>\n<p>Opening: 25 June, 6\u20139 PM<br \/>\nNOME<br \/>\nPotsdamer Str. 72, 10785 Berlin<\/strong><\/p>\n<div dir=\"ltr\">Image credits: Priscilla Dobler Dzul<em>, Abuela me visita en mis sue\u00f1os, <\/em>2021<\/div>\n<p dir=\"ltr\">\n<p dir=\"ltr\">\n<div dir=\"ltr\"><a id=\"DeutscheVersion\" name=\"DeutscheVersion\"><\/a><a id=\"DeutscheVersion\" name=\"DeutscheVersion\"><\/a><a id=\"DeutscheVersion\" name=\"DeutscheVersion\"><\/a>\/Deutsche Version<\/p>\n<p>NOME ist erfreut<em> Of Daughters and Dreams<\/em> anzuk\u00fcndigen, eine Einzelausstellung der K\u00fcnstlerin Priscilla Dobler Dzul. Ihre Gem\u00e4lde, Skulpturen, Videos und Performances befassen sich mit Begriffen wie Zugeh\u00f6rigkeit, Grenzen, Entfremdung und sozialer Ungleichheit im Zusammenhang mit der Geschichte von Migration und indigenen Kulturen. Ihre j\u00fcngsten Arbeiten umfassen gro\u00dfformatige Gem\u00e4lde, Wandteppiche und glasierte, bemalte Skulpturen, die von den kr\u00e4ftigen Farben und Formen der m\u00fcndlich \u00fcberlieferten mythologischen Geschichten der Maya und der Volkskunst der Alebrije inspiriert sind und alle Elemente des Lebens darstellen: Luft, Wasser, Erde und Feuer.<\/p>\n<p>Ihre \u00fcbersprudelnden Leinw\u00e4nde zeigen weitl\u00e4ufige Landschaften mit einer Reihe von hybriden Tieren, menschlichen Figuren und Pflanzen. In diesen erfundenen Welten wimmelt es von traumhaften Visionen, sinnlichen Vergn\u00fcgungen, Zusammenst\u00f6\u00dfen verschiedener Lebensformen und Geschlechter &#8211; und doch schwingt in vielen dieser Tableaus ein dunkler Unterton mit: Brutalit\u00e4t, Gewalt, Tod und turbulente Verwandlungen. <em>Para\u00edso Perdido<\/em> zeigt die Darstellung eines Paradieses der sexuellen Lust, des Boxens und des Kampfes um reproduktive Rechte, und die Jaguar-G\u00f6ttin, die alles \u00fcberwacht. In <em>Jaguar Protector, Sue\u00f1os Demon\u00edacos <\/em>greift eine dreik\u00f6pfige Frau eine liegende nackte Figur an, die von einem Jaguar besch\u00fctzt wird, aus dessen Maul eine Schlange ragt. Inspiriert von wiederkehrenden Tr\u00e4umen sucht das Gem\u00e4lde nach neuen Formen f\u00fcr Ahnen, deren Geschichten, K\u00f6rper und Stimmen ausgel\u00f6scht wurden, um in der Gegenwart und Zukunft zu sprechen. Ihre stark glasierten Tonskulpturen zeigen fantastische Kreaturen, die zwischen den Welten leben &#8211; zwischen dem Alten und dem Zeitgen\u00f6ssischen, zwischen Tier und Mensch.<\/p>\n<p>Donna Haraway beschreibt eine Tricksterfigur als jemanden, &#8220;der ein Kartenspiel in einen machtvollen Satz an Jokern f\u00fcr die Neugestaltung m\u00f6glicher Welten verwandeln kann&#8221;. Dobler Dzul greift in ihren multimedialen Arbeiten auf die literarische und mythische Figur des Tricksters zur\u00fcck, um Gewalt, Segregation und kulturelle Ausl\u00f6schung zu thematisieren, die die Identit\u00e4t und das Wissen der indigenen lateinamerikanischen Bev\u00f6lkerung bedrohen. Die Figuren, die in ihren Werken auftauchen, sind Grenzg\u00e4nger, die mit ihren lustvollen, ausgelassenen Spielen die sich \u00fcberschneidenden Formen der Unterdr\u00fcckung zerr\u00fctten wollen.<\/p>\n<p><strong>Priscilla Dobler Dzul <\/strong>(geb. 1985) lebt und arbeitet in Tacoma, Washington. Ihre Arbeiten wurden zuletzt ausgestellt im Project for Empty Space, Newark, NJ; A.I.R Gallery, Brooklyn, NY; Konsulat von Mexiko, Seattle, WA; The Northwest African American Museum, Seattle, WA; NARS Foundation, Brooklyn, NY; 125 Maiden Lane, NYC, NY; Olympic Sculpture Park, Seattle, WA; King Street Station, Seattle, WA; The Orange County Center for Contemporary Art, Santa Ana, CA und Decentered Gallery, Puebla, Mexiko. Dobler Dzul war au\u00dferdem 2014 Empf\u00e4ngerin des Grants for Artist Projects des Artist Trust, 2015 des Bailey Awards, 2016 des Edwin T. Pratt Scholarship, war 2017 &amp; 2021 Tacoma Artist Initiative Program Grantee, 2021 Puffin Foundation Awardee und erhielt eine Robert B. McMillen Fellowship. Sie erhielt ihren MFA in Bildhauerei von der State University of New York in New Paltz im Jahr 2013.<\/p>\n<div><strong>Priscilla Dobler Dzul<br \/>\n<em>Of Daughters and Dreams<\/em><br \/>\n25. Juni \u2013 27. Juli 2022<\/p>\n<p>Er\u00f6ffnung: 25. Juni, 18\u201321 Uhr<br \/>\nNOME<br \/>\nPotsdamer Str. 72, 10785 Berlin<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>OF DAUGHTERS AND DREAMS Priscilla Dobler Dzul Saturday, 25 June, 6\u20139 pm \/ English version \/ German version below NOME is pleased to announce Of Daughters and Dreams, a solo exhibition by the artist Priscilla Dobler Dzul. Her paintings, sculpture, video, and performance works have addressed notions of belonging, borders, alienation, and social inequality as [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2265","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Meanwhile, at NOME Gallery | Artmaker Blog<\/title>\n<meta name=\"description\" content=\"Meanwhile, at NOME Gallery | Artmaker Blog\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/toshareproject.it\/artmakerblog\/meanwhile-at-nome-gallery-4\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Meanwhile, at NOME Gallery | Artmaker Blog\" \/>\n<meta property=\"og:description\" content=\"Meanwhile, at NOME Gallery | Artmaker Blog\" \/>\n<meta property=\"og:url\" content=\"https:\/\/toshareproject.it\/artmakerblog\/meanwhile-at-nome-gallery-4\/\" \/>\n<meta property=\"og:site_name\" content=\"Artmaker Blog\" \/>\n<meta property=\"article:published_time\" content=\"2022-06-25T16:05:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mcusercontent.com\/7b43d250e13a6730bdcc27590\/images\/ae259e4d-ddb5-d5db-0d07-6923e74cb4df.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Bruce Sterling\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/toshareproject.it\/artmakerblog\/#website\",\"url\":\"https:\/\/toshareproject.it\/artmakerblog\/\",\"name\":\"Artmaker Blog\",\"description\":\"on Toshareproject.it - 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