{"id":2005,"date":"2022-04-21T10:41:34","date_gmt":"2022-04-21T09:41:34","guid":{"rendered":"https:\/\/toshareproject.it\/artmakerblog\/?p=2005"},"modified":"2022-04-21T10:41:34","modified_gmt":"2022-04-21T09:41:34","slug":"meanwhile-at-nome-gallery-3","status":"publish","type":"post","link":"https:\/\/toshareproject.it\/artmakerblog\/meanwhile-at-nome-gallery-3\/","title":{"rendered":"Meanwhile, at NOME Gallery"},"content":{"rendered":"\n\n\n
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<\/h4>\n
DIALOGUE
\nJames Bridle and Jonas Staal
\nWednesday, 27 April, 6\u20139 pm
\nArtist talk: 5 pm<\/strong><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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\/ English version \/ German version below<\/strong><\/u><\/a><\/p>\n

Berlin, 20 April 2022<\/p>\n

NOME in collaboration with Laveronica Gallery is pleased to announce two parallel solo exhibitions with the artists James Bridle and Jonas Staal, with contributions by lawyer, academic, writer, and activist Radha D\u2019Souza. This is the second project in the gallery\u2019s Dialogue series.<\/strong><\/p>\n

James Bridle<\/strong>\u2019s exhibition Signs of Life<\/strong><\/em> takes its name from Werner Herzog\u2019s film Lebenszeichen<\/em> (1968), in which three German soldiers patroling a Greek island are driven mad on encountering a vast field of spinning windmills. Bridle\u2019s new work Windmill 03 (for Walter Segal) <\/em>recreates a traditional Greek windmill from the original location of the film using surplus material from DIY architecture projects\u00a0 Aegina Battery<\/em> comprises an electricity generator powered by seventy-two Greek lemons dramatizing the power, abilities, and knowledges embodied in the natural world. Five solar panels are engraved with images and named for five species of Radiolarian: microscopic sea creatures who construct elaborate mineral skeletons from silica. . Recent optical research has shown that certain forms of engraving can increase the efficiency of solar photovoltaic panels, by trapping certain frequencies of light which would otherwise be reflected. In these works, Bridle invokes the potential of collaboration with the more-than-human world to seek regenerative solutions to the problems that we face, and the possibilities of collective education and agency.<\/p>\n

Comrades in Deep Future<\/em><\/strong> centers on three works by Jonas Staal <\/strong>that address the notion of the non-human comrade. As Jodi Dean has written, comradeship is \u201ccharacterized by equality and belonging, by a love and respect between equals so great that it can\u2019t be contained in human relations but spans to include insects and galaxies (bees and stars) and objects themselves.\u201d The Court for Intergenerational Climate Crimes<\/em> (CICC, 2021-ongong) is a collaboration between Staal and Radha D\u2019Souza, which consists of a large-scale installation in the form of a tribunal that prosecutes intergenerational climate crimes. Interplanetary Species Society <\/em>(ISS, 2019) is an alternative biosphere constructed in a former underground nuclear facility in Stockholm. While the spacefaring trillionaire class aims to colonize Mars, ISS instead turns underground: intra-planetary. Part of the alternative biosphere are the Neo-Constructivist Ammonites<\/em> (2019), which build on the heritage of the Soviet constructivist and productivist artists who argued that in a revolutionary situation, objects become comrades too. Obscur Unions, for Laure Prouvost<\/em>(2020) takes the form of four drawings printed as flags, which are part of an ongoing collaboration between Staal and artist Laure Prouvost. Their shared works take the form of sites of assembly conceptualized by Staal in which anthropomorphic entities such as plants, arms, branches, tongues, toxins, breasts and signs created by Prouvost gather as political subjects. Across Staal\u2019s three projects, extinct plants, neo-constructivist ammonites, and insurgent octopi appear as part of an insurgent popular front of earth workers. Human, non-human, more-than-human, and other-than-human alike. United in a struggle for deep futures and a biosphere for all.<\/p>\n

The press kit<\/strong> including information and images is available here<\/a>. The press images can be used free of charge in connection with editorial coverage of the event; the rights holder must be named in the credits.<\/p>\n

Dialogue: James Bridle and Jonas Staal<\/em>
\nJames Bridle, Signs of Life<\/em>
\nJonas Staal, Comrades in Deep Future<\/em><\/p>\n

28 April \u2013 17 June 2022
\nOpening: 27 April, 6\u20139 PM
\nArtist talk: James Bridle and Jonas Staal, 5 PM<\/p>\n

NOME
\nPotsdamer Str. 72, 10785 Berlin<\/strong><\/p>\n

Press contact<\/strong>
\nJesi Khadivi
\njesi@nomegallery.com<\/a>
\n+49 30 922 83788<\/p>\n

Image credits: James Bridle, prototype for Windmill 03 (for Walter Segal)<\/em><\/div>\n

\n

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<\/a><\/a><\/a>\/Deutsche Version<\/p>\n

Berlin, 20. April 2022<\/p>\n

NOME freut sich, in Zusammenarbeit mit der Galerie Laveronica zwei parallele Einzelausstellungen mit den K\u00fcnstler*innen James Bridle und Jonas Staal anzuk\u00fcndigen, mit Beitr\u00e4gen der Anw\u00e4ltin, Akademikerin, Schriftstellerin und Aktivistin Radha D’Souza. Dies ist das zweite Projekt in der Dialogue Reihe der Galerie. Ein Gespr\u00e4ch zwischen Bridle und Staal findet am 27. April um 17 Uhr statt.<\/p>\n

James Bridles Ausstellung Signs of Life<\/em> ist nach Werner Herzogs Film Lebenszeichen (1968) benannt, in dem drei deutsche Soldaten, die auf einer griechischen Insel patrouillieren, in den Wahnsinn getrieben werden, als sie auf ein riesiges Feld von sich drehenden Windm\u00fchlen sto\u00dfen. F\u00fcr die neue Arbeit Windmill 03 (for Walter Segal) <\/em>baute Bridle eine traditionelle griechische Windm\u00fchle vom Originalschauplatz des Films nach und verwendet dazu \u00fcbersch\u00fcssiges Material aus DIY-Architekturprojekten. Aegina Battery besteht aus einem Stromgenerator, der von zweiundsiebzig griechischen Zitronen angetrieben wird und die Kraft, die F\u00e4higkeiten und das Wissen, das in der nat\u00fcrlichen Welt steckt, dramatisiert. In f\u00fcnf Solarpaneele sind Bilder eingraviert, die nach f\u00fcnf Arten von Radiolarien benannt sind: mikroskopisch kleine Meeresbewohner, die kunstvolle Mineralskelette aus Kieselerde bauen. J\u00fcngste optische Forschungen haben gezeigt, dass bestimmte Formen der Gravur den Wirkungsgrad von photovoltaischen Solarpaneelen erh\u00f6hen k\u00f6nnen, indem sie bestimmte Lichtfrequenzen einfangen, die sonst reflektiert w\u00fcrden. In diesen Werken beschw\u00f6rt Bridle das Potenzial der Zusammenarbeit mit der ausserhalb des Menschlichen liegenden Welt, um regenerative L\u00f6sungen f\u00fcr die Probleme zu finden, mit denen wir konfrontiert sind, sowie die M\u00f6glichkeiten kollektiver Bildung und Handlungsf\u00e4higkeit.<\/p>\n

Comrades in Deep Future<\/em> konzentriert sich auf drei Werke von Jonas Staal, die sich mit dem Begriff des nicht-menschlichen Kameraden auseinandersetzen. Wie Jodi Dean geschrieben hat, ist Kameradschaft “gekennzeichnet durch Gleichheit und Zugeh\u00f6rigkeit, durch Liebe und Respekt zwischen Gleichen die so gro\u00df sind, dass sie sich nicht auf menschliche Beziehungen beschr\u00e4nken lassen, sondern sich auf Insekten und Galaxien (Bienen und Sterne) und Objekte selbst erstrecken”. Der Court for Intergenerational Climate Crimes (CICC, 2021-andauernd) ist eine Zusammenarbeit zwischen Staal und Radha D’Souza, die aus einer gro\u00dfformatigen Installation in Form eines Tribunals besteht, das generations\u00fcbergreifende Klimaverbrechen verfolgt. Interplanetary Species Society (ISS, 2019) ist eine alternative Biosph\u00e4re, die in einer ehemaligen unterirdischen Atomanlage in Stockholm errichtet wurde. W\u00e4hrend die raumfahrende Billion\u00e4rsklasse den Mars kolonisieren will, wendet sich die ISS stattdessen dem Untergrund zu: intra-planetarisch. Teil der alternativen Biosph\u00e4re sind die Neo-Constructivist Ammonites (2019), die auf dem Erbe der sowjetischen konstruktivistischen und produktivistischen K\u00fcnstler aufbauen, die argumentierten, dass in einer revolution\u00e4ren Situation auch Objekte zu Genossen werden. Obscur Unions, for Laure Prouvost (2020) besteht aus vier Zeichnungen, die auf Flaggen gedruckt wurden und Teil einer laufenden Zusammenarbeit zwischen Staal und der K\u00fcnstlerin Laure Prouvost sind. Ihre gemeinsamen Werke nehmen die Form von Versammlungsorten an, die von Staal konzipiert wurden und in denen anthropomorphe Wesen wie Pflanzen, Arme, \u00c4ste, Zungen, Gifte, Br\u00fcste sowie von Prouvost geschaffene Zeichen als politische Subjekte zusammenkommen. In den drei Projekten von Staal erscheinen ausgestorbene Pflanzen, neokonstruktivistische Ammoniten und aufst\u00e4ndische Kraken als Teil einer aufst\u00e4ndischen Volksfront von Erdarbeitern. Menschlich, nicht-menschlich, mehr-als-menschlich und anders-als-menschlich gleicherma\u00dfen. Vereint in einem Kampf f\u00fcr ferne Zuk\u00fcnfte und eine Biosph\u00e4re f\u00fcr alle.<\/p>\n

James Bridle <\/strong>(geb. 1980, London) ist Autor*in, K\u00fcnstler*in und Technolog*in und hat in bedeutenden internationalen Institutionen ausgestellt, darunter das Barbican, das Victoria and Albert Museum und die Serpentine Galleries, London, das MoMA, New York, das MAK, Wien, das Witte de With, Rotterdam, die KW, Berlin, das PinchukArtCentre, Kiew, das HKW, Berlin, die Sharjah Art Foundation, Sharjah, das ZKM Karlsruhe und das National Arts Center, Tokio. Bridle ist Autor*in von “New Dark Age” (2018) und “Ways of Being” (2022) und hat 2019 “New Ways of Seeing” f\u00fcr BBC Radio 4 geschrieben und pr\u00e4sentiert.<\/p>\n

Jonas Staal <\/strong>(geb. 1981, Zwolle) ist ein bildender K\u00fcnstler, der sich in seiner Arbeit mit der Beziehung zwischen Kunst, Propaganda und Demokratie besch\u00e4ftigt. Er ist Gr\u00fcnder der k\u00fcnstlerischen und politischen Organisation New World Summit (seit 2012). Zusammen mit Florian Malzacher leitet er das Trainingscamp Training for the Future (seit 2018) und mit dem Menschenrechtsanwalt Jan Fermon initiierte er die Sammelklage Collectivize Facebook (2020-andauernd). Mit der Schriftstellerin und Anw\u00e4ltin Radha D’Souza gr\u00fcndete er den Court for Intergenerational Climate Crimes (2021-andauernd) und zusammen mit Laure Prouvost verwaltet er die Obscure Union. Staals aktuellestes Buch ist Propaganda Art in the 21st Century (The MIT Press, 2019). <\/p>\n

Das Press Kit <\/strong>mit Informationen zu der Ausstellung und NOME sowie Pressebildern ist hier verf\u00fcgbar<\/a>. Die Pressebilder k\u00f6nnen im Rahmen der Berichterstattung \u00fcber die Veranstaltung kostenfrei genutzt werden; die angef\u00fchrten Credits m\u00fcssen dabei angegeben werden.<\/p>\n

\n

Dialogue: James Bridle and Jonas Staal<\/em>
\nJames Bridle, Signs of Life<\/em>
\nJonas Staal, Comrades in Deep Future<\/em><\/p>\n

28. April \u2013 17. Juni 2022
\nEr\u00f6ffnung: 27. April, 18 – 21 Uhr
\nGespr\u00e4ch: Dialogue: James Bridle and Jonas Staal, 27. April, 17 Uhr
\nNOME, Potsdamer Str. 72, 10785 Berlin<\/strong><\/p>\n

Presse-Kontakt<\/strong>
\nJesi Khadivi
\njesi@nomegallery.com<\/a>
\n+49 30 922 83788<\/p>\n

Bildangabe: James Bridle, prototype for Windmill 03 (for Walter Segal)<\/em><\/div>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

DIALOGUE James Bridle and Jonas Staal Wednesday, 27 April, 6\u20139 pm Artist talk: 5 pm \/ English version \/ German version below Berlin, 20 April 2022 NOME in collaboration with Laveronica Gallery is pleased to announce two parallel solo exhibitions with the artists James Bridle and Jonas Staal, with contributions by lawyer, academic, writer, and […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2005","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"yoast_head":"\nMeanwhile, at NOME Gallery | Artmaker Blog<\/title>\n<meta name=\"description\" content=\"Meanwhile, at NOME Gallery | Artmaker Blog\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/toshareproject.it\/artmakerblog\/meanwhile-at-nome-gallery-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Meanwhile, at NOME Gallery | Artmaker Blog\" \/>\n<meta property=\"og:description\" content=\"Meanwhile, at NOME Gallery | Artmaker Blog\" \/>\n<meta property=\"og:url\" content=\"https:\/\/toshareproject.it\/artmakerblog\/meanwhile-at-nome-gallery-3\/\" \/>\n<meta property=\"og:site_name\" content=\"Artmaker Blog\" \/>\n<meta property=\"article:published_time\" content=\"2022-04-21T09:41:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mcusercontent.com\/7b43d250e13a6730bdcc27590\/images\/2793d2e3-74a3-8b8a-0a9f-691099225a70.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Bruce Sterling\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/toshareproject.it\/artmakerblog\/#website\",\"url\":\"https:\/\/toshareproject.it\/artmakerblog\/\",\"name\":\"Artmaker Blog\",\"description\":\"on Toshareproject.it - 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